The expansive and emotive, Screamnasium is O.R.k’s most essential album to date. Spontaneous yet intricately crafted, and perhaps the most concise statement of the band's sonic aims yet.
With the quartet having formed a strong creative bond over the course of three previous studio albums and with countless miles clocked up on tour, the highly anticipated follow up to 2019’s acclaimed Ramagehead has finally arrived. The pent up, derailed energies of O.R.k. have found a release with their gutsy, cathartic and striking new album Screamnasium.
Setting the pace, lead single/album opener As I Leave delivers a distilled form of the O.R.k. spirit directly to the listener. Lef’s powerful vocals, Carmelo Pipitone’s energetic riffing, Pat Mastelotto’s inventive rhythmic accompaniment and Colin Edwin’s distinctive bass tones all infuse Screamnasium with a refreshed intensity and a new luminosity. Energy levels are maintained throughout the 42-minute runtime as O.R.k. state the case for optimism, tolerance and empathy - these are hopeful anthems for an increasingly uncertain world.
One particular highlight is “Consequence”, where Lef spars with Grammy winning vocal phenom Elisa, best known outside her native Italy for her collaboration with the legendary Ennio Morricone on Quentin Tarantino's Django Unchained soundtrack.
Album closer “Someone Waits” features virtuoso cellist Jo Quail who provides seductive, intertwining melodies to bring Screamnasium to a dramatic and unexpected finale.
Colin Edwin comments “Right now, Screamnasium feels to me like the album we’ve been trying to make since we first conceived the band, both sonically and also in terms of the songwriting and subject matter. All four of us are playing to our natural strengths and we’ve managed to express both light and shade and all sorts of colours in between. It reflects our recent pasts and directs some energy towards a more hopeful future. For me, the album is kind of a depurative, I really hope that overall feeling comes across.”
The creative duo of Grammy winning art director Adam Jones (of Tool) and Marvel/DC Comics illustrator Denis Rodier have handled the artwork and layout to create an iconic album artwork with remarkable visual imagery, while mixing and mastering duties have been undertaken by Machine (Lamb of God, King Crimson, Clutch).
Encompassing a wide breadth of emotional landscapes, Screamnasium is the consummate relief for our troubled times.
Screamnasium is out now on CD / ltd ed green coloured vinyl LP/ black vinyl LP and digitally with orders available here.
The band have also announced a co-headine tour with Lizzard, taking place across Europe in April & May 2023. Tickets will be on sale here.
O.R.k. premiere their new single As I Leave
O.R.k., comprising celebrated Italian vocalist, producer, and award-winning film score composer Lorenzo Esposito Fornasari a.k.a LEF (lead vocals), King Crimson's Pat Mastelotto (drums), ex-Porcupine Tree's Colin Edwin (bass) and Marta Sui Tubi's Carmelo Pipitone (guitars) have premiered the video for their new single “As I Leave”, their first new music since the release of the acclaimed 2019 album Ramagehead.
The new single “As I Leave” is the first foray into the band’s new album (the second on Kscope) which will be released later this year. It is accompanied by an otherworldly and dreamlike video from 3D-VR artist Chiara Orsi who has managed to match the song's expressive intensity in a highly imaginative visual display.
As I Leave was an obvious choice for a new first single/calling card for the band, containing all the sonic elements that make up O.R.k’s unique and inviting world. Lef’s powerful vocals, Carmelo Pipitone’s energetic riffing, Pat Mastelotto’s inventive rhythmic accompaniment and Colin Edwin’s distinctive bass tones all infuse the sound with a refreshed intensity and a new luminosity.
O.R.k bassist Colin Edwin states
“Lyrically, ‘As I Leave’ is an ambiguous contemplation on the inexplicable reasons for close personal bonds and human connections. It’s a song for anyone who ever desired deeper connections with another, but in some puzzling way, just couldn’t make it work. The profoundest differences are rarely geographical, as most of us have discovered over the last few years. There’s often an unknowable reason under the surface, did you blow your chance? …or did your dreams just get old?”
As I Leave will be available to stream and download HERE from Thursday 23rd June.
More news on O.R.k’s new album will be revealed soon.
The 2019 Album
Featuring special guest vocalist System Of A Down’s Serj Tankian
Check out their Signals Erased EP featuring two new remixes
O.R.k., comprising some of contemporary music’s most revered artists, have combined their creative forces once again for a new studio album; their first for the ground-breaking UK label Kscope; O.R.k’s Ramagehead will be released on 22nd February 2019.
The band feature Italy’s celebrated vocalist, producer and award-winning film score composer Lorenzo Esposito Fornasari a.k.a LEF (lead vocals), King Crimson‘s Pat Mastelotto (drums), Porcupine Tree‘s Colin Edwin (bass), Marta Sui Tubi‘s Carmelo Pipitone (guitars); Ramageheadalso features a superstar collaboration in the form of Grammy Award-winner Serj Tankian of System of a Down, who is undoubtedly one of metal’s greatest and most renowned vocalists.
Penned following their headline European tour in support of their second album, 2017’s Soul of an Octopus; Ramagehead was forged from the band’s collective vision, unique influences and a multi-layered reflection of their powerful and engaging live experience. The result contains all the ingredients of a fiery O.R.k. performance with dark and heavy riffing, mesmeric atmospheres and lyrics that reveal the band’s bewilderment brought about by our modern world: a world of information overload, of uncertainty and post-truth messages.Read More
Bass player Colin Edwin explains further “Ramagehead is a not a concept album as such, but there is certainly an identifiable theme, in that we attempt to express the everyday bewilderment bought about by the uncertain times we are living in, and the constant confusing information overload that we are all subjected to in today’s post-fact environment. We also wanted to harness the power, unpredictability and spontaneity of the O.R.k. live experience into a static recording whilst aiming for a high-resolution sonic space that can be revisited repeatedly by the avid listener to discover ever deeper layers.”
Recorded during 2018 at LefMusicStudio (Italy), The Wormhole (USA) and Nightspace (UK). The mixing for Ramagehead was handled by Adrian Benavides and three-time Grammy-winning engineer Marc Urselli (U2, Foo Fighters, Nick Cave), the mastering by Michael Fossenkemper, engineering by Benavides and Bill Munyon (King Crimson), cover art by Adam Jones (TOOL, Ghostbusters, Jurassic Park) and design by Denis Rodier (Superman, Batman, Wonder Woman). The recordings, and involvement of SOAD’s Serj Tankian on the forthcoming single, “Black Blooms“, solidifies the band’s serious intent to use their musical chemistry in exploring the hard-edged possibilities within rock.